| Title |
Author(s) |
Year |
Publication |
Citation |
|
Harmonic expectancy violations: Testing the effects of familiarity, lead-in time, and ecological validity
|
Claire Arthur |
2024 |
Psychology of Music |
|
|
Sanidha: A Studio Quality Multi-Modal Dataset for Carnatic Music
|
Venkatakrishnan Vaidyanathapuram Krishnan, Noel Alben, Anish Nair and Nathaniel Condit-Schultz |
2024 |
Proceedings of the International Society for Music Information Retrieval |
|
|
Looking for Tactus in All the Wrong Places: Statistical Inference of Metric Alignment in Rap Flow
|
Nathaniel Condit-Schultz |
2024 |
Proceedings of the International Society for Music Information Retrieval |
|
|
Have we sold our souls to the drum machine? A historical analysis of tempo stability in Western music recordings
|
Nathaniel Condit-Schultz and Beach Clark |
2024 |
Musicæ Scientiæ |
|
|
Are the Beatles Really Different?: Commentary on North and Krause (2023)
|
Nathaniel Condit-Schultz |
2023 |
Empirical Musicology Review |
|
|
The Coordinated Corpus of Popular Musics (CoCoPops): A Meta-Dataset of Melodic and Harmonic Transcriptions
|
Claire Arthur and Nathaniel Condit-Schultz |
2023 |
Proceedings of the International Society for Music Information Retrieval |
|
|
Pupil Dilation as a Function of Pitch Discrimination Difficulty: A Replication of Kahneman and Beatty, 1967
|
Noel Alben and Claire Arthur |
2023 |
Attention, Perception \& Psychophysics |
|
|
Why do Songs get "Stuck in our Heads"? Towards a Theory for Explaining Earworms
|
Arthur, Claire |
2023 |
Music \& Science |
|
|
The role of structural tones in establishing mode in Renaissance counterpoint.
|
Claire Arthur, Julie Cumming and Peter Schubert |
2022 |
The Oxford Handbook of Corpus Studies |
|
|
Voice leading in palestrina’s masses: A comparison of interval-succession definitions
|
Laney Light and Claire Arthur |
2021 |
Future Directions of Music Cognition |
|
|
What do I dance to this?: A perceptual study of dance genre identification
|
Virgil Breeden and Claire Arthur |
2021 |
International Conference for Music Perception and Cognition (ICMPC) |
|
|
Vicentino versus Palestrina: A computational investigation of voice leading across changing vocal densities
|
Claire Arthur |
2021 |
Journal of New Music Research |
|
|
A statistical model for melody reduction
|
Tianxue Hu and Claire Arthur |
2021 |
Future Directions of Music Cognition |
|
|
An Interdisciplinary Review of Music Performance Analysis
|
Alexander Lerch, Claire Arthur, Ashis Pati and Siddharth Gururani |
2020 |
Transactions of the International Society for Music Information Retrieval |
|
|
Deconstructing the nPVI: A Methodological Critique of the Normalized Pairwise Variability Index as Applied to Music
|
Nathaniel Condit-Schultz |
2019 |
Music Perception |
|
|
Expanding and Contracting Definitions of Syncopation: Commentary on Temperley 2019
|
Nathaniel Condit-Schultz |
2019 |
Empirical Musicology Review |
|
|
humdrumR: a New Take on an Old Approach to Computational Musicology
|
Nathaniel Condit-Schultz and Claire Arthur |
2019 |
Proceedings of the International Society for Music Information Retrieval |
|
|
An Interactive Workflow for Generating Chord Labels for Homorhythmic Music in Symbolic Formats
|
Yaolong Ju, Samuel Howes, Cory McKay, Nathaniel Condit-Schultz, Jorge Calvo-Zaragoza and Ichiro Fujinaga |
2019 |
Proceedings of the International Society for Music Information Retrieval |
|
|
Music Performance Analysis: A Survey
|
Alexander Lerch, Claire Arthur, Ashis Pati and Siddharth Gururani |
2019 |
Proceedings of the International Society for Music Information Retrieval |
|
|
Alternative Measures: A Musicologist Workbench for Popular Music
|
Beach Clark and Claire Arthur |
2019 |
Proceedings of the 16th Sound and Music Computing Conference |
|
|
Key-Finding Based on a Hidden Markov Model and Key Profiles
|
Néstor Nápoles López, Claire Arthur and Ichiro Fujinaga |
2019 |
Proceedings of the 6th International Conference on Digital Libraries for Musicology |
|
|
A Flexible Approach to Automated Harmonic Analysis: Multiple Annotations of Chorales by Bach and Prætorius
|
Nathaniel Condit-Schultz, Yaolong Ju and Ichiro Fujinaga |
2018 |
Proceedings of the International Society for Music Information Retrieval |
|
|
A Perceptual Study of Scale-degree Qualia in Context
|
Claire Arthur |
2018 |
Music Perception |
|
|
Word Intelligibility in Multi-voice Singing: the Influence of Chorus Size
|
Nathaniel Condit-Schultz and David Huron |
2017 |
the Journal of Voice |
|
|
Supplementing Melody, Lyrics, and Acoustic Information to the McGill Billboard Database
|
Hubert Léveillé Gauvin, Nathaniel Condit-Schultz and Claire Arthur |
2017 |
Annual Conference of the International Alliance of Digital Humanities Organizations |
|
|
Non-chord Tone Identification Using Deep Neural Networks
|
Yaolong Ju, Nathaniel Condit-Schultz and Ichiro Fujinaga |
2017 |
Proceedings of the Workshop on Digital Libraries for Musicology |
|
|
Taking Harmony Into Account: The Effect of Harmony on Melodic Probability
|
Claire Arthur |
2017 |
Music Perception |
|
|
MCFlow: A Digital Corpus of Rap Transcriptions
|
Nathaniel Condit-Schultz |
2016 |
Empirical Musicology Review |
|
|
Commentary on Ohriner (2016)
|
Nathaniel Condit-Schultz |
2016 |
Empirical Musicology Review |
|
|
Catching the Lyrics: Intelligibility in Twelve Song Genres
|
Nathaniel Condit-Schultz and David Huron |
2015 |
Music Perception |
|
|
Theme And Variation Encodings with Roman Numerals (TAVERN): A New Data Set for Symbolic Music Analysis.
|
Johanna Devaney, Claire Arthur, Nathaniel Condit-Schultz and Kirsten Nisula |
2015 |
Proceedings of the International Society for Music Information Retrieval |
|
|
Is Melody "Dead?": A Large-scale Analysis of Pop Music Melodies from 1960 through 2019
|
Clark, Beach and Arthur, Claire |
|
Empirical Musicology Review |
|
